Many of you have asked about my Food Photography Gear, so here’s the run-down how I take and process some of the photos on the blog, as well as the equipment that I use. The first thing I might say is that taking a good picture is partly the camera, but it is also the person behind it. I don’t consider myself a professional photographer but I practice taking pictures all the time.
When I am shooting a recipe, I’ll consider if a technique or step needs to be shown, if there is an ingredient that is interesting (or particularly beautiful), or perhaps if the situation where I am cooking or baking something feels like a moment that I want to share. If I’m out-and-about, I will often see something at the market that looks appetizing or a pastry in a shop that stands out. Living in Paris, I’m surrounded by beautiful things and most of the time, I try to do as little as possible and just take the picture; a flaky croissant or crusty baguette requires no manipulation to look great.
The following is a summary of the equipment I use, as well as a discussion of what techniques I use to get the shots for the site.
I use a Canon Rebel, and I love it. It’s a great camera, and very well-priced for the features it offers. There are biggest DSLRs, but the Rebel’s compact size and weight makes it easier to tote along and I prefer to carry a lighter camera.
If you can do one thing to improve your photography, is to switch to a digital single lens reflex (DSLR) camera, like the Rebel. People frequently ask what they can do to improve their photos and that’s the number-one tip I give to everyone. The ability to increase the ISO (the “speed”, so you can shoot in low light without a flash) and adjust the white balance, I find helps my photos immensely. Plus the quality of the lens means you’ll create photos much better than you can with a point-and-shoot camera.
When I bought my first Rebel, I was advised to get the camera without the lens. Since the ‘kit’ lens is less than $90, I bought it. But since I bought additional lenses, I took the ‘kit’ lens off and have only used it once in two years. So I agree: Skip the kit lens and buy one of the two I list below. 50mm 1.8 is a perfect, and inexpensive, place to start.
If you do get a Canon digital camera, or already own one, there’s a great online tutorial to help you figure out what all those dials and buttons mean.
I recently purchased a Canon G12 since I wanted a camera that was slimmer and more portable than my Rebel. This camera has all the same great features of a DSLR, but I find I take it with me. The image stabilized lens does a good job and you can make videos with it as well.
(I had a Panasonic Lumix LX-3 for a while but didn’t like the quality of the photos taken indoors, the proprietary cables, the dials that would move too-easily when the camera was stashed in my bag, and the independent lens cap.)
I have several lenses that I use:
The Canon 50mm 1.8 is the bargain of the century and the lens I snap on my camera when I leave the house since if something happens to it, it’s not a big deal. It’s small, lightweight, and inexpensive. If you own a Canon DSLR, you must get this lens.
I sometimes use the Canon 50mm 1.4, which is faster than the previous lens, and more expensive, but it’s very well-made and good for low-light situations due to the 1.4 lens.
The Canon Macro 60mm isn’t cheap, but it’s an amazing lens which I use for anything very close up. It allows me to get as close as I want to something; some cake crumbs, a drip of chocolate, or a smudge of ice cream. I labored long and hard whether to invest in a lens like this, and I use it when I want to be right up tight against something. (However ever since I got the following lens, I don’t use this one very often.)
And my favorite lens purchase was the Canon 24-70mm zoom which several photographer friends highly recommended. It’s very fast, so can be used in low-light situations, but is also quite heavy. This is an incredible lens and I use it for perhaps 75% of my shots. It’s not inexpensive, but it has a wide range of uses and although the price was initially a deterrent, I’m glad I made the investment. It also has a macro function, too.
For toting my camera around, I recently discovered the Black Strap. I didn’t realize what a cumbersome nuisance the strap that came with my camera was until I tried this strap, which allows you to easily grab your camera without being tangled in a bunch of cords and straps. If you carry your camera around with you frequently, I found this to be a good item to have.
Because I tend to favor sharper images, and the lighting in Paris means I have to shoot at lower shutter speeds, I use a tripod 50% of the time. I prefer to shoot freehand, but invariably things come out a bit fuzzy if I don’t.
I have two. I have a Velbon tabletop tripod. This Velbon is sturdy, and a good value with a quick-release feature so you take easily take the camera off without unscrewing the whole thing. The downside it to tighten the camera after making an adjustment, you have to remove the quick-released platform and re-adjust the tightness.
The tripod I use mostly is the Slik Sprint Pro. This is a rock-solid tripod, easy to use and adjust and is a professional-quality piece of gear at a very attractive price. It is a great tripod and I love mine. A feature to look for a tripod is legs with clips that you can unfasten to allow you to raise and lower the tripod easily; the ones with the screw-type fasteners can be frustrating to use.
If you don’t have a tripod, prop your camera against something or rest it on a book to steady it. I do this sometimes in restaurants, since I don’t use the flash and use a slow shutter speed.
Although I’m fastidious about keeping the lens cap on, it’s imperative to use a lens filter. This will prevent scratches on your lens.
For lens cleaning, I use a microfiber cleaning cloth. Using fluids on a lens can damage it if you’re not careful, and every once in a while, I give my lens a swipe to clean off any bits of butter or caramel that may have landed on it.
I recently invested in a Canon 430EX Flash. Despite my wariness to use a flash, sometimes I’m in a place like a chocolate shop or kitchen, where there’s a lot of movement and not a lot of light.
This excellent flash automatically compensates and adds just enough light to illuminate and shoot at a faster shutter speed, but doesn’t give people that “deer in the headlights” look. If you use it, simply point the light straight up at the ceiling and you’ll get a wonderful fill-in flash. The photo above, of the figs, was taken using my Canon Speedlight and doesn’t look like it was taken with a flash, at least to me. And if you live somewhere where there isn’t a lot of light, or plan to shoot during winter months when the sun goes down early, you might want to consider using one.
Tips and Techniques
When I take photos for the site, I don’t really have a plan. I try to keep props to a minimum and use materials like plates and flatware that don’t distract from the food. For this site, the photos are part of a story and if I’m writing about ingredients or techniques or a recipe, I like the photos to correspond with the text. Keeping things simple means that people focus on whatever it is I’m shooting, such as the vanilla extract and beans, above. Depending on the time of day or the season, I’ll either shoot in my kitchen or outdoors. The Pistachio Gelato shot at the top of this post which was shot on my roof, placed in a concrete corner out of direct sunlight. The vanilla was just on my kitchen counter and I use a tripod because the low light requires a slower shutter speed.
While creating a recipe for the site, as I start cooking, I’ll take pictures of the process along with way, especially if I’m doing a recipe that might require a photo of the dessert or a particular ingredient to accompany the text. But often I do it for demonstrating techniques as well, like rolling doughs or candymaking.
Unlike cookbooks, on the site I have the freedom to show step-by-step photos, which is helpful for more challenging recipes, such as my Kouign Amann recipe. And the photos were helpful for the post I did called How to Make the Perfect Caramel, where I wanted to show exactly what stages to cook the sugar to, and to alert readers to things to watch out for.
I then upload them to my Flickr page, then paste them onto my site. (Whew!) Most of the Photoshop post-processing I do is by using the “Levels” control, and sometimes “Sharpen.” I rarely use any of its other features because I’m not a good geek and haven’t figured any of them out.
Since many people are on laptops, I try to keep the images close to the food, but not too close; I don’t think food should ever be bigger than it actually is. Otherwise, to me, it looks weird. I don’t futz with the food too much; I try to stack it on a plate, or scoop it into a bowl, and just shoot it. I never crop images once I’ve shot them, and keep accoutrements to a minimum; I might use one utensil or a napkin alongside, as one would naturally cook or eat the food.
I almost always use my digital single lens reflex camera (DSLR), and on occasion at home (never in a restaurant), I use a Canon 430EX Flash.
Never, ever use the flash on the camera, as it makes the photos too harsh. I always shoot in AV (aperture priority) mode. The gray skies of Paris mean the light is always diffused, which can be good for photos.
Just changing the white balance in the camera, or with photo editing software like Photoshop, can make a dramatic difference.
The last bit of advice I’ll give is to practice. The great thing about digital is that you’re free to make mistakes because they’re easy to get rid of. Below are some additional links that offer advice on various food photography topics.
Food Photography Links
Heidi’s tips are at 101Cookbooks.com
Elise shows how she does it at Simply Recipes
Deb shows her approach to food photos over at Smitten Kitchen
Lara at Still Life With is one of the most comprehensive sites on food photography
Food Photography tips from White on Rice Couple
Lolo, from Vegan YumYum shares food photography tips
Nika teaches Food Photography 101
Ree gives 10 tips from her ranch.
If you want to see how Béa does it, visit her luscious site, La Tartine Gourmand
Jaden shows off digital lighting at Steamy Kitchen
Food Photography at Wrightfood
My Amazon list of favorite photo gear.